Three cutting tools with white oak handles form this linocut carving set from Kirschen. Each blade is ground at 25° and reaches 61 HRC hardness. The angle suits controlled cuts in soft linoleum sheets. Printmakers use the set to clear areas that should stay free of ink. The tools arrive in a cardboard box for storage between sessions.
Linocut carving set Kirschen 3450000 covers hand carving on soft linoleum sheets. The set holds three cutting tools. Each tool carries a white oak handle. The blades are ground at 25°. Material hardness is stated as 61 HRC. That combination supports controlled lines in soft material. Beginners and practised printmakers can both work with it.
Linocut is a relief printing method used in fine art. The carver cuts into a linoleum plate, then uses that plate as a printing block. Linoleum is a synthetic material, softer than wood. Cutting therefore goes faster and stays easier to steer. The carver removes every area that should stay free of ink. The remaining raised surface takes the ink and transfers it to paper. The logic follows woodcut practice, but the softer plate lowers the physical effort. The three tools arrive packed in a cardboard box.
The set is compact and built for manual print-block work. Blade geometry and hardness are the two figures that shape the cutting result. A 25° bevel gives a fine edge for shallow relief cuts. A hardness of 61 HRC keeps that edge usable across repeated passes in linoleum. The white oak handles add grip mass and keep the tool steady in the hand.
Each of the three tools is ground to the same 25° angle, so the cutting behaviour stays consistent across the set. The value suits soft plate material rather than hardwood carving. Hardness of 61 HRC allows resharpening with normal bench stones. Users can cut outlines, clear background areas and shape detail without changing tool families.
The uniform grind angle simplifies edge maintenance. One honing routine covers all three tools. Because linoleum offers little resistance, cutting depth depends mainly on hand pressure and wrist angle. Light passes give cleaner shoulders on the relief. Deeper passes clear waste faster on large open areas of the plate.
Handles are made of white oak. The wood gives a firm hold during longer carving sessions and helps keep the tool aligned with the cut line. The complete set is delivered in a cardboard box, which keeps the edges apart during storage and transport. That packing also makes the set practical for classroom or studio use where tools move between users.
Storing the tools in the box between sessions protects the edges from contact damage. Edge condition matters on linoleum, because a blunt edge tears the surface instead of slicing it. Regular honing keeps the 25° bevel intact. Clean, dry storage after use limits corrosion on the exposed steel.
Art studios use the set for linocut printing and relief plate work. Craft users carve handmade logos, stamps and small editions of art prints. Teachers use it in art classes for practical training in soft-plate relief carving. Hobby users apply it to DIY print projects on paper and card. The set also suits illustrators who prepare small blocks for repeat patterns. Work is manual throughout, so the tools fit bench-top tasks rather than machine carving.
Catalog information for Kirschen 3450000 lists three pieces, white oak handles, a 25° bevel angle and 61 HRC material hardness, supplied in a cardboard box. No further dimensional data is given in the source. Ordering and handling decisions should follow those stated figures.
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